![]() These include potentially greater levels of expressivity, especially for soloing, and a freedom from the arguably limiting, inflexible nature of lick- or phrase‑based sound libraries. Brass 2.0 was developed in conjunction with boffins at the IRCAM institute in Paris, and claims all sorts of benefits over its sample‑based competitors. But tucked away in their product range is a different kind of virtual instrument, one that uses physical and acoustic modelling techniques to generate a range of trumpet, trombone and saxophone sounds that span the stylistic spectrum. The French company Arturia are well known - and deservedly so - for their range of outstanding virtual synths. Here all four sound slots are loaded with instruments, and several take advantage of the in‑built automation system for some of their parameters. The main interface of Brass 2.0, in Live mode. 4 cores CPU, 3.4 GHz (4.The new version of Arturia's Brass instrument attempts to create realistic‑sounding trombones, trumpets and saxophones, so just how successful is it?.ARM processors not supported on Windows.4 cores CPU, 3.4 GHz (4.0 GHz Turbo-boost).Dedicated Delay and Reverb sends with 5 spatial/time-based algorithms.2 FX slots per layer with 14 FX including ParamEQ, Bitcrusher, BL-20 Flanger, and more.2 LFOs, 2 Function Generators, 2 Random Generators, 4 Keyboard modulation sources, dedicated Vibrato & Tremolo.7 additional macros: Time, Color, Motion, FX A, FX B, Reverb, Delay.Morph control moves between Layers A and B, and/or affecting up to 8 custom destinations.Wavetable engine with look up table for more abrasive digital sounds. ![]() Harmonic engine based on additive synthesis.Granular engine producing Warp, glitch and stretch sounds.Virtual analog with Arturia's award winning TAE technology.Detailed brass sample library with expressive and contemporary articulations. ![]()
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